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寇子皓
20世紀(jì)70年代初拜山水畫家閆甫先生為師,學(xué)習(xí)傳統(tǒng)山水畫,對(duì)石濤、髡殘、黃賓虹的技法研究頗深,遠(yuǎn)追元人山水筆意; 20世紀(jì)80年代初畢業(yè)于重慶建筑工程學(xué)院。無(wú)論是當(dāng)知青、上大學(xué),還是進(jìn)機(jī)關(guān)、辦企業(yè),再忙都沒(méi)有放松過(guò)對(duì)書法和山水畫藝術(shù)的追求?？茏羽┑淖髌啡刖帯懂?dāng)代中國(guó)畫名家全集—山水篇》《中國(guó)寫生作品集》等典籍;刊登于《世界知識(shí)畫報(bào)》《中 國(guó)收藏》《鑒藏》 《時(shí)代人物》《當(dāng)代中 國(guó)畫》《春城晚報(bào)》 等報(bào)刊; 2013年,作品《銀杏村之秋》獲得第13屆紐約國(guó)際藝術(shù)博覽會(huì)金獎(jiǎng);佳作《烏蒙煙云》被意大利國(guó)立阿爾貝蒂娜美術(shù)學(xué)院收藏;昆明電視臺(tái)曾對(duì)其藝術(shù)成就進(jìn)行專題采訪。
寇子皓在藝術(shù)創(chuàng)作中堅(jiān)持“繼承+創(chuàng)新”,主張心境主宰畫境,強(qiáng)調(diào)正大氣象;他在創(chuàng)作探求中,做到與生活相應(yīng)、與時(shí)代合拍、與自然共鳴;在繼承優(yōu)秀文化傳統(tǒng)的同時(shí),又將中國(guó)文化的內(nèi)蘊(yùn)與現(xiàn)代理念有機(jī)結(jié)合,強(qiáng)調(diào)文化、強(qiáng)調(diào)人格、強(qiáng)調(diào)精神;其巨制宏幅的峻山雄川,取正、取大、取實(shí)、取雄強(qiáng)、取磅礴,作品展現(xiàn)出一種全新的正大氣象。
Kou Zihao studied traditional landscape painting under Yan Fu, a landscape painter, in the early 1970s, and studied the techniques of Shitao, Kun can and Huang Binhong He graduated from Chongqing Institute of Civil Engineering in the early 1980s. No matter when the educated youth, go to university, or enter the office, run an enterprise, again busy have not relaxed to the calligraphy and landscape painting art pursue. Kou Zihao's works are included in the collection of landscape paintings by famous contemporary Chinese painters, collection of Chinese sketches, etc. Published in the World Knowledge Pictorial, China collection, Jianzang, people of the Times, contemporary Chinese painting, Chuncheng Evening News and other newspapers; in 2013, his work, autumn in Ginkgo village, won the Gold Award at the 13th New York International Art Fair; The masterpiece cloud in the dark is in the collection of the Albertina, Minas Gerais of Fine Arts in Italy; Kunming TV had a special interview with him on his artistic achievements. In his artistic creation, Kou Zihao insisted on "inheritance + innovation" , advocated that the state of mind dominates the painting environment and emphasized the positive atmosphere. In his creative exploration, he achieved correspondence with life, in tune with the times and resonated with nature. While inheriting the excellent cultural tradition, it also combines the connotation of Chinese culture with modern ideas, emphasizing culture, personality and spirit, and its vast scale of mountains and rivers, taking the right, the big, the true, the strong and the mighty, the work shows a new positive atmosphere.
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